Thursday, April 26, 2007

The definition of "TRAMP"

What is a TRAMP, you say?

Well, there are….ahem….many definitions, but we like this one best:

TRAMP- 1 a : VAGRANT : one who has no established residence and wanders idly from place to place
1 b : a foot traveler

"TRAMPS LIKE US" is Back!!!

www.alandacoon.com

Wednesday, April 25, 2007

Featured Musicians in TRAMPS LIKE US

Well...TRAMPS LIKE US opens on Friday! (Just click on the image below or see previous post for details)


Thought you guys might like to read a little bit about who will be featured!


Alanda Coon (creator, producer, director, vocalist)

has been performing in Chicago since 1997. She is a NY native, the former lead singer of rock cover band Spitting Image and a seasoned Chicago actor. Most recently, Alanda was seen in LifeLine Theatre’s production of The True Story of the 3 Little Pigs, Porchlight’s A New Brain, Bailiwick Repertory’s Parade (After Dark and Jeff Award Winning Production) and TimeLine Theatre’s Fiorello. Ms. Coon has performed at several venues in Chicago including: Davenport’s Piano Bar, Katerina’s, Chopin Theatre, Crossroads Theater, Mercury Theater, Heartland Studio Theatre, Royal George Theatre, North Lakeside Cultural Center, Apollo Theater, Wing & Groove Theatre, Lakeshore Theater, Theatre Building Chicago and The Goodman Theatre. A sometimes Director and Producer, Ms. Coon is a company member of Bohemian Theatre Ensemble, an artistic associate of Bailiwick Repertory (co-founder of The Second Sex Series giving women prominence) and a member of Chicago Cabaret Professionals. She can be heard on Alexandra Billings’ live cd “The Story Goes On” produced by Lampkin Music Group.


Mike Descoteaux (music director, arranger, pianist, harmonica player)

is the head of the Music Program at The Second City where he has music directed numerous shows including Sex and the Second City, The Second City Musical Improv House Ensemble, and Theatre on the Lake. His work has been heard at The Goodman, Chicago Shakespeare, American Theater Company, Theatre Building Chicago, Davenport’s and other venues. He has
“composed” and “conducted” over 500 improvised musicals with Jazz Hands Across America, Baby Wants Candy, and Musical! the Musical. Mike is a recipient of an After Dark Award for his work with Foiled Again and was recently named one of the top 12 new songwriters in the country by The Johnny Mercer Foundation and AMTP.


Patrick Burke (lead guitarist)

Patrick is a multi-instrumentalist who has performed and recorded on guitar, bass, and mandolin for several Chicago-area productions. Patrick also teaches private lessons on all the aforementioned instruments to nearly 30 students. Mr. Burke has worked extensively with Mike Descoteaux in the Improv world. His versatility and diverse knowledge of music is an asset to Springsteen’s music.


Sean Sullivan (back up vocalist, guitar, percussion)

Sean is an Ohio native and performed with Cleveland Public Theatre, Dobama Theatre and Great Lakes Theatre Festival. Favorite roles included Edmund in King Lear, Daniel (Closer), Babbybobby (The Cripple of Inishmaan) and Bunce (One Flea Spare). Sean is a member of Backstage Theatre Company where he has appeared as Roald Amundsen in Terra Nova, Henry Antrobus (The Skin of Our Teeth), and as McKyle in The Ruling Class. Other Chicago credits include Floyd in Fiorello!, and Dr. Joseph Cardin in The Children’s Hour, both with Timeline Theatre. Sean has also worked backstage as a designer, and/or carpenter, on productions in Chicago including shows for Pyewacket Theatre, Cobalt Theatre Ensemble and Backstage Theatre Aside from theatre, Sean might just be found with a pint at hand, playing guitar and singing with his Irish folk/bluegrass band, One Of The Girls.

For more information, please visit www.alandacoon.com

Friday, April 20, 2007

TRAMPS LIKE US is back!!!




TRAMPS LIKE US
the music of bruce springsteen….as sung by alanda coon


A little bit about the show:

The rock icon, Bruce Springsteen, is celebrated in this critically acclaimed cabaret performance. Alanda Coon interprets Springsteen with a feminine perspective, giving his poetry simplicity. Through heightened language and generous musical support, the audience is welcomed to hear his lyrics as if heard for the very first time. Carla Gordon of Stu Hamstra’s Cabaret Hotline online states “Coon brings a powerhouse vocal instrument. Her voice is smooth, flawlessly pitched and rich. She moves seamlessly from growl, to croon, to belt, to whisper. Alanda is among few singers who creates vocal whisper with resonance to fill both air and lyrical meaning. Coon has a genuineness and humility that warms an audience in ways that talent alone can’t.” Ms. Coon promises to take the audience on a journey through Springsteen’s musical life while inviting the audience to reminisce about how The Boss’ music relates to their own. This solid show entertains while addressing political and more serious issues.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Opening at Mary’s Attic @ Hamburger Mary’s:
Friday, April 27th @ 8pm
With an additional performance @ Mary’s Attic:
Friday, May 4th @ 8pm
Mary’s Attic is located upstairs at Hamburger Mary’s: 5400 N Clark St
Tickets @ Mary’s are $10 with no drink minimum

Reservations for Mary’s, please call: (773) 784-6969
http://www.hamburgermaryschicago.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Also playing at Davenport’s Piano Bar:
Friday, May 11th @ 8pm
Friday, May 18th @ 8pm
Davenport’s is located at 1383 N Milwaukee
Tickets @ Davenport’s are $15 with a 2 drink minimum

Reservations for Davenport’s Piano Bar, please call: (773) 278-1830
http://davenportspianobar.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
We’re taking the show on the road!
One date only at Acorn Theatre in Michigan:
Saturday, May 19th @ 8pm
Acorn Theatre is located at Generations Drive, Three Oaks, Michigan 49128
Tickets @ Acorn Theatre are $15

Reservations for Acorn Theatre, please call: (269) 756-3879
http://www.acorntheater.com
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

For more information, please visit www.alandacoon.com

Thursday, April 19, 2007

Silly new holidays

What is today, you ask?

Why it's National High Five Day, of course! And you thought you had all those holidays firmly memorized by now...

So go out there & seize the day with many high fives!


While it might be a fun holiday, I don't think anything compares to the frivolity & ridiculousness of International Talk Like A Pirate Day. That's coming up on September 19th.

Mark your calendars!

Monday, April 09, 2007

For the Love of HOWARD: Stop the Bloodletting!



Are We Politicians or Citizens?
by Howard Zinn

The Progressive
May 2007
http://www.progressive.org/node/4668

As I write this, Congress is debating timetables for withdrawal from Iraq. In response to the Bush Administration's "surge" of troops, and the Republicans' refusal to limit our occupation, the Democrats are behaving with their customary timidity, proposing withdrawal, but only after a year, or eighteen months. And it seems they expect the anti-war movement to support them.

That was suggested in a recent message from MoveOn, which polled its members on the Democrat proposal, saying that progressives in Congress, "like many of us, don't think the bill goes far enough, but see it as the first concrete step to ending the war."

Ironically, and shockingly, the same bill appropriates $124 billion in more funds to carry the war. It's as if, before the Civil War, abolitionists agreed to postpone the emancipation of the slaves for a year, or two years, or five years, and coupled this with an appropriation of funds to enforce the Fugitive Slave Act.

When a social movement adopts the compromises of legislators, it has forgotten its role, which is to push and challenge the politicians, not to fall in meekly behind them.

We who protest the war are not politicians. We are citizens. Whatever politicians may do, let them first feel the full force of citizens who speak for what is right, not for what is winnable, in a shamefully timorous Congress.

Timetables for withdrawal are not only morally reprehensible in the case of a brutal occupation (would you give a thug who invaded your house, smashed everything in sight, and terrorized your children a timetable for withdrawal?) but logically nonsensical. If our troops are preventing civil war, helping people, controlling violence, then why withdraw at all? If they are in fact doing the opposite-provoking civil war, hurting people, perpetuating violence-they should withdraw as quickly as ships and planes can carry them home.

It is four years since the United States invaded Iraq with a ferocious bombardment, with "shock and awe." That is enough time to decide if the presence of our troops is making the lives of the Iraqis better or worse. The evidence is overwhelming. Since the invasion, hundreds of thousands of Iraqis have died, and, according to the UN High Commissioner for Refugees, about two million Iraqis have left the country, and an almost equal number are internal refugees, forced out of their homes, seeking shelter elsewhere in the country.

Yes, Saddam Hussein was a brutal tyrant. But his capture and death have not made the lives of Iraqis better, as the U.S. occupation has created chaos: no clean water, rising rates of hunger, 50 percent unemployment, shortages of food, electricity, and fuel, a rise in child malnutrition and infant deaths. Has the U.S. presence diminished violence? On the contrary, by January 2007 the number of insurgent attacks has increased dramatically to 180 a day.

The response of the Bush Administration to four years of failure is to send more troops. To add more troops matches the definition of fanaticism: If you find you're going in the wrong direction, redouble your speed. It reminds me of the physician in Europe in the early nineteenth century who decided that bloodletting would cure pneumonia. When that didn't work, he concluded that not enough blood had been let.

The Congressional Democrats' proposal is to give more funds to the war, and to set a timetable that will let the bloodletting go on for another year or more. It is necessary, they say, to compromise, and some anti-war people have been willing to go along. However, it is one thing to compromise when you are immediately given part of what you are demanding, if that can then be a springboard for getting more in the future. That is the situation described in the recent movie The Wind That Shakes The Barley, in which the Irish rebels against British rule are given a compromise solution-to have part of Ireland free, as the Irish Free State. In the movie, Irish brother fights against brother over whether to accept this compromise. But at least the acceptance of that compromise, however short of justice, created the Irish Free State. The withdrawal timetable proposed by the Democrats gets nothing tangible, only a promise, and leaves the fulfillment of that promise in the hands of the Bush Administration.

There have been similar dilemmas for the labor movement. Indeed, it is a common occurrence that unions, fighting for a new contract, must decide if they will accept an offer that gives them only part of what they have demanded. It's always a difficult decision, but in almost all cases, whether the compromise can be considered a victory or a defeat, the workers have been given some thing palpable, improving their condition to some degree. If they were offered only a promise of something in the future, while continuing an unbearable situation in the present, it would not be considered a compromise, but a sellout. A union leader who said, "Take this, it's the best we can get" (which is what the MoveOn people are saying about the Democrats' resolution) would be hooted off the platform.

I am reminded of the situation at the 1964 Democratic National Convention in Atlantic City, when the black delegation from Mississippi asked to be seated, to represent the 40 percent black population of that state. They were offered a "compromise"-two nonvoting seats. "This is the best we can get," some black leaders said. The Mississippians, led by Fannie Lou Hamer and Bob Moses, turned it down, and thus held on to their fighting spirit, which later brought them what they had asked for. That mantra-"the best we can get"-is a recipe for corruption.

It is not easy, in the corrupting atmosphere of Washington, D.C., to hold on firmly to the truth, to resist the temptation of capitulation that presents itself as compromise. A few manage to do so. I think of Barbara Lee, the one person in the House of Representatives who, in the hysterical atmosphere of the days following 9/11, voted against the resolution authorizing Bush to invade Afghanistan. Today, she is one of the few who refuse to fund the Iraq War, insist on a prompt end to the war, reject the dishonesty of a false compromise.

Except for the rare few, like Barbara Lee, Maxine Waters, Lynn Woolsey, and John Lewis, our representatives are politicians, and will surrender their integrity, claiming to be "realistic."

We are not politicians, but citizens. We have no office to hold on to, only our consciences, which insist on telling the truth. That, history suggests, is the most realistic thing a citizen can do.

Howard Zinn is the author, most recently, of "A Power Governments Cannot Suppress."
http://www.citylights.com/CLpubRE.html#4758

© 2007 The Progressive
http://www.progressive.org/

Monday, April 02, 2007

M-I-C-K-E-Y

Introducing the newest addition to the family...Mickey!



Mickey is a lovebird (no, not a love CHILD, you perv...) but a lovebird. Lovebirds are small parrots and we are happy to have this little guy join us. He is 7 weeks old & has been hand fed by some really nice people in Logan Square in Chicago. This little guy is virtually a baby still so he eats and sleeps A LOT! The really interesting thing about lovebirds is that they like to burrow, so most of the time, Mickey is digging his face is my armpit with his butt in the air, or jumping towards my face (his wings are clipped) to try to get to my neck area for some snuggling. He's a sweetie.

We named him Mick(ey) because on the way home, he first started warming up to us when the Rolling Stones came on the radio. Yes folks, this one likes rock & roll.

He's still young and small, but quite strong & super smart. We gotta get more toys so he doesn't get bored!


We've got our hands full but are really enjoying the bonding process. He's sleeping in Steve's hands as we speak...
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